FRESNO
- George Gershwin's place in American popular culture, one hundred years after
his birth, is as, in Irving Berlin's words, "the only songwriter I know who became
a composer." As a songwriter, his historical significance lies in his use of jazz-derived
techniques -- specifically the flattened thirds and sevens known as "blue" notes.
But his frame of reference continued to expand, which resulted in his Concerto in F and the tone poem "An American In Paris" -- quantum leaps from the less-developed segments that formed the
Andante from "Rhapsody in Blue."
Ultimately, his broad comprehension of the classical repertoire led him to create an opera, "Porgy and Bess," now regarded as the composer's masterpiece.
Gershwin's stature among his peers continues to
spark controversy. But he left behind three of the most effective concert scores
ever written by an American composer, and the only American opera that truly has
entered the global repertory.
He was, in short, the product of an immigrant family
who became an internationally celebrated composer who made the whole world of
music his own. Nothing could be more American.