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Tower 2000 News - Arts and Entertainment Section
Vol. 17  No. 21 FINAL EDITION
A&E Links
Monday January 10, 2000
Snow Falling On Cedars
Filmed beautifully with an eye to Japanese View of Nature.

By Edward Davidian

FRESNO - For Japanese, the stunning film Snow Falling On Cedars may seem quite a matter of course in the portrayal of physical nature as contrasted to that of a more brutish 'human nature.' Through its symbolic beauty, its harmonious interplay, its inherent order, its evocative power this film should be both ennobling and humbling in its powerful psychological impact on audiences.
     The film presents a picture of the Pacific North West Coast in the 1940's and 1950's. The Non-Japanese resident of that region often claim that they find the actions and thinking of Japanese-American people difficult to comprehend. The opinion is often heard, especially in the context of their political or economic dealings, that the Japanese must be in some way unique.
     Yet, the rules that define the norms for Japanese people are simply different guidelines devised to permit them to conform to the laws of nature. In one sense, the Japanese-Americans of the region were certainly different in their philosophy from other inhabitants of the area.
     However, underlying their thinking are a number of basic belief structures that are played out quite well in the film's script. For one thing, Nature is beautiful, nature is harmonious, it has an intrinsic order and rules, and in certain ways it can be seen to have an ethical or moral dimension. Who could find fault with that? Well, as it tuns out, quite a few Non-Japanese had their doubts.
     To the traditional Japanese mind nature is more than just physical scenery. In fact, there are three elements at play in the Japanese view of the natural world. The first element can be defined as the changes that occur through the passage of the four seasons -- a repetitive and orderly cycle of flux.
     The second element relates to the invisible forces that affect nature -- creating the shape of a tree, the form of a mountain, and the flow of a river -- often in violent and unpredictable ways beyond our full comprehension. The third and final element is the energy that creates life itself, including human life, the life of the grains that sustain human life, and all forms of living things.
     Together, these three elements exert their various effects on the physical world around us, sometimes in clearly manifested ways and sometimes in unseen ways. In the Japanese view, these events all occur due to the existence of a mysterious, spiritual power. In other words, Japanese people view nature as part of a total, cosmic realm against which background, human concepts of justice, fairness, and equity are played out.
     The film Snow Falling On Cedars takes place during the dark days of World War II, when the Roosevelt administration made a decision, based on prejudice and fear, to intern Japanese Americans living along the West Coast of the United States. One of these camps was called Tule Lake and was located in the high desert between Alturas, California and Klamath Falls, Oregon. The other was Manzanar set out in the Mojave Desert near the town of Inyo-Kern.
     Hardworking American citizens were forcibly taken from their jobs and homes and held against their will. It is a part of our history that we are now ashamed of and rightfully so. I did not study this disgraceful episode as a high school student in the late sixties.
     The plot actually begins with a murder. On its' simplest level, this is a murder mystery with all the intrigue and drama of a courtroom thriller. An established and popular member of this small fishing and farming community is found dead on his boat. Foul play is immediately suspected and a Japanese American is taken in for questioning and eventually booked for murder. Although a respected member of the community as well, Kabuo Miiyamoto turns out to have opportunity and motive. Claiming innocence, he is nevertheless indicted.
     We soon begin to learn the story behind the motive. Before the war years, Kabuo's father made an agreement with the victim's father. Money changed hands, land was promised and terms were set. Unfortunately, the war came and the Japanese Americans were sent away. Nothing was quite the same at wars end.
     Agreements were no longer honored and the isolated island became emotionally remote as well. Without giving away too much, a subplot of romance and passion weave a complex trail throughout the story and redemption and integrity eventually save the day.

Letter to the Editor

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